Sherry Murray, 73, and her husband, 80, bought their house in the North Hills of Pittsburgh in 1991, for $240,000. Baby boomer empty nesters own twice as many of the country's three-bedroom-or-larger homes, compared with millennials with kids, according to a recent analysis from Redfin. That means those larger homes aren't hitting the market, one factor limiting the supply for the younger generations who could use those extra bedrooms. Republican Representative Marjorie Taylor Greene is a leading voice of the far-right flank opposed to helping Ukraine and has taken steps that threaten to remove House Speaker Mike Johnson – also a Republican – from office over the issue.
Tony Goldwyn
She appears to be the well-dressed, poised image of gentility, but is every bit as sadistic, perverse, and malicious as Krug. Leaving the brutal acts to her witless, easily manipulated male companions, she gets off on the power alone. And when justice is meddled out to the two scumbags at the end, she, a lady beyond suspicion, walks away completely unscathed. For those hardy enough, it would make a harrowing double feature with Ruggero Deodato’s The House on the Edge of the Park, which ups the class struggle theme and even has David Hess (spiritually) reprising Krug as the baddie. The month ahead will bring new films from Alex Garland, Luca Guadagnino, Dev Patel, and more.
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A year before The Last House on the Left, Sam Peckinpah’s Straw Dogs and Stanley Kubrick’s A Clockwork Orange truly pushed the boundaries of what was acceptable on the big screen, but with a more detached, artistic focus. Craven, a former college professor whose only experience with filmmaking came from a short stint in hardcore pornography, had no idea such boundaries even existed. He was convinced no one would see his movie, so there was no point diluting the message with social restraint.
Colin Jost & Scarlett Johansson
There are other policy changes that could make it easier to build housing for different life stages and thereby entice boomers to downsize. Engelhardt says that's a serious concern because it can can lead to things like falls. "And falls can be very devastating, could have very devastating health consequences, especially for the oldest old," he says. "In general, we would like to have older homeowners ... matched with their housing in a much better way than we currently have."
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I'm giving it a 2.5 in the silly star rating system and throwing up my hands. In August 2006, Rogue Pictures finalized a deal to remake The Last House on the Left (1972) with original writer and director Wes Craven as a producer. In 1972, he did not have the budget to film every piece of the story he wanted to tell. But many areas, including neighborhoods where a lot of baby boomers live, have zoning that only allows single-family homes. That means when older adults decide their current homes are too big, they basically have to move out of their neighborhoods.
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Even for those who can stomach it, no one can call Last House a flawless movie. Hess aside, the acting can be stilted and uneven, especially during scenes involving the parents. The editing is sloppy at times, and the folk soundtrack (provided, astonishingly, by David Hess himself) seems more suited to something like The Bad News Bears than hyper-violent exploitation. The last act stalls a bit with the parents’ awkward quest for vengeance, indulging in Craven’s weird fascination with booby traps. Most egregiously, it contains a tone-killing cornball comedy subplot following two bumbling cops (one being future Cobra Kai sensei, Martin Kove) that grinds everything to a halt for the duration of their scenes.
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Audience Reviews
Smaller homes can cost more if they're newer, or are part of a community that provides extra services. Some metro areas have few one-story homes, making them hot commodities. The house is paid off, and Murray has wanted to downsize for a while, but she says homes that fit what she's looking for – 2,000 square feet, all on one level, in the same suburban area – sell quickly and for a lot of money.
I am uninterested in being "consistent." I approach the new film as simply a filmgoer. Other scenes, while violent, fell within the range of contemporary horror films, which strive to invent new ways to kill people, so the horror fans in the audience will get a laugh. In Craven’s version, two innocent young women, Mari and Phyllis, are kidnapped by a vile band of degenerate criminals, led by human monster, Krug (David Hess in a genre-defining performance).
Some baby boomers, the generation now between the ages of 60 and 78, are happy in their large homes, using the extra bedrooms for hobbies and visiting family. Others say they want to downsize, but it just doesn't make sense financially. Ironically, the freewheeling, no holds barred days of 70s horror was corralled by an unlikely source, the 80s Slasher. The genre that was routinely demonized by religious groups and parental authorities actually had a more pronounce moral center than the random violence of the previous decade. Although their fate was often excessive, Slasher victims were rarely completely innocent. In early slashers like The House on Sorority Row, Prom Night, and The Burning, the killer was often himself the victim of a prank gone wrong, obsessively delivering comeuppance to his perceived tormentors.
The girls are subjected to gruelling and dehumanizing bouts of torture before being murdered. In a completely unbelievable yet poetic twist of fate, Krug’s rambunctious crew wind up unknowingly asking for shelter in the house of their victim’s parents, under the guise of being traveling salesmen (and one saleswoman). The parents learn the truth and take convoluted, but fitting, revenge on the vicious killers. So, it’s a good time at the movies, as long as you consider repeatedly smashing your fingers inside a drawer a good time. Despite all the amateurish flailing of a first-time director, Craven’s evocative skill and philosophical leaning are hard to miss.
The Manson Family murders had turned peace-loving hippies into drug-crazed, homicidal drifters, as unprecedented levels of news coverage brought the carnage of the Vietnam War directly into the living room. Popular cinema reflects the mood of culture, and for the Western world, that mood was cynical, ugly, and harsh. Its visceral brutality is more repulsive than engrossing, but The Last House on the Left nevertheless introduces director Wes Craven as a distinctive voice in horror. Find a list of new movie and TV releases on DVD and Blu-ray (updated weekly) as well as a calendar of upcoming releases on home video. They're surprisingly good, and I especially admired the work of Monica Potter and Tony Goldwyn as the parents of one of two girls who go walking in the woods. It is no longer only the father who takes revenge; both parents work together, improvising, playing a deadly chess game in their own home, which they know better than the villains.
Some baby boomers find that when they want to downsize, there are no smaller options in their neighborhoods. Single-family homes are seen in a neighborhood in San Marcos, Texas, last month. But longtime California homeowners who've seen their property values skyrocket would likely require a different approach, Schuetz says. There, Proposition 13 strictly limits increases in property taxes – so that many longtime homeowners pay taxes on a small fraction of their home's value. That created its own lock-in effect, though a recent rule change allows those over age 55 to keep their lower tax rate if they buy and move into a home of equal or lesser value. Newly minted Oscar winner Da'Vine Joy Randolph will join in the weekend festivities as another of ABC News' A-list guests.
One man begins a deplorable scumbag and ends, well, still a scumbag, but at least a dead one. It is also true that director and Dennis Iliadis and his cinematographer Sharone Meir do a smooth job of handling space and time to create suspense. The film is an effective representative of its genre, and horror fans will like it, I think, but who knows?
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